What Happened to My Sister?, Scene #01

What Happened to My Sister?, Scene #01

What Happened To My Sister?
BROTHER COMES HOME FROM TRIP TO DISCOVER STEP-SISTER IS FUCKING DAD

SCENE opens inside a taxi cab, as it pulls to a stop. A young man named Rick (Small Hands) stands waiting on the curb, his backpack and a gift bag in hand. He has just arrived home from a trip across the US to ‚discover himself,‘ as his father (Steve Holmes) puts it. He gets inside the cab. After giving the address and setting off, Rick and the driver small talk about his trip along the way: places he went, things he saw, and where he’s headed now — back home to his family before starting a job at his father’s company in the fall. The driver makes a joke about having to go home to mom and Rick laughs. No, no mom. It’s just his dad, his dad’s wife, and his step-sister Josie (Jill Kassidy). He really missed her, and it was just her birthday, so he is excited to give her the gift he found on his travels! The taxi driver says that it’s always good to be a big brother while Rick stares off into the distance.

When he enters his home, he is surprised to find it empty. He calls out to his dad, to Deena, his dad’s wife, and to Josie. But nobody replies. Mildly concerned, he walks through the house until he starts to hear sounds coming from his father’s bedroom. Assuming it’s his father and step-mom, he makes a face and turns to leave when, suddenly, he hears his step-sister’s voice. ‚Daddy …. Daddy please,‘ she moans from behind the door. Rick freezes. In horror, he slowly opens the door to reveal Josie bent over the bed being penetrated by his father! The father grunts and thrusts as Josie takes him all in, moaning with pleasure and calling him daddy. Rick can’t believe what he is seeing … yet he can’t look away. Where is his step-mom? What the fuck is his dad thinking? He spies on them for a few moments, trying to take it all in, when suddenly Josie makes eye contact with him. The step-siblings stare at each other. But, instead of reacting, Josie just keeps getting fucked until Rick feels so uncomfortable that he turns away and storms out of the hallway.

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Rick sits, arms folded, on the couch when his father enters the room. ‚Son,‘ he exclaims, surprised. ‚I didn’t realize you were coming home today.‘ He tries to give Rick a big hug, but his son is standoffish. ‚Where’s Deena?‘ he asks curtly. His father makes a face, struggling to think of how to respond, when Josie enters the room. Acting normal, she rushes up and hugs her big brother, giving him a kiss on the cheek and saying how much she missed him. Is that gift bag for her?! He pulls away. ‚Where’s Deena?‘ he asks again accusingly. Josie and his father exchange knowing looks before his father smiles and pats his son on the shoulder. ‚A lot has happened while you were away, son,‘ he says.’Josie has made a lovely dinner! How about we all sit down and talk about it like a family?‘

CUT to Josie putting a bowl of pasta on the table, as Rick’s father tries to engage his son in awkward small talk about Deena. Josie takes out some napkins and unfolds one in her step-father’s lap, her fingers grazing his crotch, which makes Rick snap. ‚Are you fucking kidding me? Sit down!‘ Josie slumps down meekly while Rick’s father bites his lip and struggles to keep calm. He tells his son that, after much consideration, he and Deena have decided to separate. ‚Why?‘ Rick asks. ‚Does it have anything to do with the fact you’re fucking my little sister?‘ He yells, standing up. Josie begs him to sit down. ‚Josie is your step-sister, Rick,‘ his father corrects him. Did the father even wait until she was 18? Yes, of course he did. They both agreed to wait until she was a grown woman. They love each other!

Rick looks at his sister and asks how she could betray her own mother like that? How could she destroy their family like that? How could she do this to him? Josie, who has been growing emotional throughout the entire fight, ends up storming out of the room in tears. The men are left alone to stare at each other. Rick’s father looks very disappointed. ‚Are you happy now, making your sister cry? She and I have chosen to be together. Whether you like it or not, this is our family now!‘ He storms off too, leaving Rick alone. He can’t help but feel guilty for making his sister cry.

CUT to Josie’s bedroom. She lays hugging a pillow when Rick knocks on the door and asks to come in. He is holding the gift bag which he gently rests on the dresser. At first, she gives him the cold shoulder, but crumbles as soon as he sits down beside her to apologize. She buries herself in his arms and pleads with him not to be mad at her. It’s been a very overwhelming summer and he doesn’t know how many times she just wished he had been home to help her through it. Rick asks Josie to explain what’s really going on. It seems as if he’s come home to a madhouse.

Josie wipes her eyes and tells him that, over the past few months, things between her and her mom have been bad. She kept getting jealous of Josie, especially the way his father looked at her. She began to accuse Josie of being flirtatious and trying to steal her man. Finally, it got to a point where Josie was so angry, she decided to just do it. To prove a point. Rick’s father has always been pushover, it didn’t take much to get his dick out. Then one day, Deena walked in on them having sex. It was a joke. ‚But Deena didn’t take it as a joke, did she?‘ Rick asks. Josie shakes her head. ‚I thought it’d be funny! I didn’t think she’d actually leave us,‘ she replies. ‚It doesn’t sound very funny to me,‘ Rick says as he puts his head in his hands. ‚So, are you in love with my dad?‘ He asks. She shrugs. ‚I mean, I love him. He’s like my dad too.‘ She nudges closer to her step-brother. ‚But I really just want to stay here so I can be close to you!‘

They look at each other, their lips inches apart. Rick shakes his head and tells her that he is feeling very fucked up. Although he feels betrayed, with the way she gazes at him pleadingly, something wells up inside of Rick. He finally jumps her, unable to contain his feelings for her any longer — no matter how angry he is.

Jekyll & Dad, Scene #01

Jekyll & Dad, Scene #01

JEKYLL & DAD
CONSERVATIVE DAD BY DAY AGGRESSIVELY FUCKS HIS STEP-DAUGHTER EACH NIGHT

SCENE OPENS on an over-the-shoulder tracking shot of Lucy, a 19-year-old teen, as she reads aloud from a Spanish book, talking to her friend Emma through a closed bathroom door. When Emma doesn’t respond, she gets anxious and checks on her, seeing she’s not there. She must’ve left the bathroom using the other door. We follow her in an extended tracking shot as she heads out into the hall and starts looking for her friend – first in the nearby bathroom where Emma was supposed to be, then when she finds it to be empty, she searches the various rooms of her house. She moves at a fast, worried pace, and quickens even more as she gets more and more panicked with each empty room she finds. Every so often, she calls out Emma’s name with increasing panic and volume in her voice.

Finally on the opposite end of the house outside another bathroom she finds her friend Emma — who seems to be having a perfectly friendly chat with Lucy’s step-dad, Mr. Edwards. They look up at her a bit in surprise as she comes stumbling in, looking a bit panicked and out of breath. She tries to play it cool, saying ‚There you are!‘ to Emma with a feigned smile as she tries to calm herself down. Emma explains that they were out of toilet paper in the other bathroom so she went off looking for another bathroom, and she was just heading back when she ran into Lucy’s dad and they started chatting. Emma gushes that ‚I had no idea your step-dad’s a policeman, Lucy, you never talk about him!‘ Lucy comes up with a lame excuse, while Mr. Edwards waves off Emma’s interest in his line of work saying it’s really no big deal, he just has always wanted to help people, and so on. Mr. Edwards comes off as mild-mannered and jovial as he talks, but Lucy seems in a hurry to bring Emma back to her room, saying they should get back to studying if they want any hope of doing well on their finals.

Mr. Edwards suggests that Emma should stay for dinner, but Lucy interrupts saying Emma can’t stay, she has piano lessons later. Mr. Edwards tells Emma that she’s welcome if she changes her mind, or if she wants to come back after her lessons for a late night study session. He makes a mean pot of coffee! Emma graciously thanks him, while Lucy continues to come up with excuses and tries to subtly pull Emma out of the room. A bit flustered, Emma manages to say it was nice meeting him, before giving in to Lucy’s shepherding tactics. Mr. Edwards calls out to the girls that it was a pleasure to meet her too. Once the girls are out of sight, Mr. Edwards‘ hand slowly balls up into a tight fist, trembling with rage. Without warning, he slams his fist against the nearby wall as the picture cuts to black in time with the THUD.

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Later that evening, Lucy and her step-father are finishing up a meal in silence at the dining room table. Mr. Edwards continues to give off a mild-mannered, very civil appearance as he eats small bites with a fork and knife, a napkin spread across his lap. Lucy meanwhile has a distant facial expression as she stares down at her food, and her body language (arms folded, one leg rubbing up and down the length of the other) is nervous and guarded.

That Emma sure seems like a nice girl, Mr. Edwards remarks to Lucy. ‚She’s 19, same age as you?‘ he asks. Lucy’s eyes dart up at him but quickly dart back to her food, as if she doesn’t want him to notice her reacting. Lucy says she guesses Emma’s alright, she only really knows her from calculus class. Mr. Edwards jovially says that’s not what Emma told him earlier, she says the two of them have known each other for over a year. In fact, she was surprised at how long it took Lucy to invite her over to their house for once. ‚Well,‘ he says as he picks his napkin up from his lap, dabs his face gently with it, and then crumples it up and places it on his plate, ‚it’s a shame about Emma. Guess it’ll be just us two tonight.‘ Mr. Edwards takes a pause to enthusiastically eat a bite of his food, and then says ‚What did you think of my little trick with the toilet paper?‘ Lucy tells him that he’s a sick fuck, doesn’t he know that, and asks when this is all going to stop.

He snorts and ignores her, instead telling her that she should eat up since she’s hardly touched her food. He then continues on to say that it’s his responsibility to take care of her, especially after Lucy’s ‚little accident.‘ He’s put his career on the line for Lucy. ‚If you mother were here, things would be different, but we all know whose fault that is, don’t we?‘ he accuses Lucy. He rises from his chair and stands menacingly behind her. So when is this going to end? It can all end with one little trip to the police station so that they can tell everyone what Lucy did, or they could just go on with the arrangement they have now. Lucy stares at her food as Mr. Edwards continues to taunt her. The choice is hers. Does she want to go down to the station and tell the truth? Does she want to spend 10-15 years in jail? No? Then she wants to keep doing what they’re doing? Lucy quietly gives in and says yes. Mr. Edwards backs up and tells her to go finish her homework while he washes up. ‚I’ll come see you in a bit, huh?‘ he says in a fatherly tone that highlights how twisted he really is.

CUT TO a teen’s bedroom, in the dark. Lucy waits sitting curled upright on the edge of the bed in a nightshirt and panties, staring with dead eyes at the closed bedroom door. After several long seconds of waiting, the doorknob turns slowly, and Lucy’s body tenses up. It opens, and her father in only his boxers stands framed in the doorway, a silhouette against the light of the hallway. His posture is completely different, looming menacingly with his two hands clutching the sides of the door frame as if ready to rip the frame off. ‚Are you ready to kiss your step-dad goodnight, Lucy?‘ he says in a taunting, growly voice.

Future Darkly: The Love Hotel, Scene #01

Future Darkly: The Love Hotel, Scene #01

THE LOVE HOTEL
ROBOT SELF-DESTRUCTS AFTER A NIGHT OF SEX WITH HER CLIENTS

SCENE opens on a dark bathroom. From a birds-eye angle over the tub, the lights in the room turn on as a woman known only as unit #30562 (Emily Willis) floats in the milky bath water. She opens her eyes, calmly getting out of the tub and drying herself off. She has a perfectly proportioned body. She walks over to a large mirror and, pressing her fingertips in the lower right corner, causes the mirror to illuminate before it turns into a smart screen. A message pops up, thanking unit #30562 for signing in. ‚Are you ready for your next shift?‘ The mirror asks in a soft female voice. #30562 says yes and the screen loads her itinerary for the evening. It explains that her first guest will be a returning client: John Doe, 57 years old, solar sales manager, 6’0“ tall, 165 lbs, brown hair, blue eyes. His kinks include school girls, anal sex, ass worship, rimming, ATM. Past crypto tips include 8000 tokens: extra rough, 10000 tokens: novelty take home, and 500 tokens: kissing on the mouth. Accept client? ‚Accepted,‘ says #30562. As the smart screen processes the order and a confirmation appears, the door buzzes.

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#30562 opens the door and John Doe (Steve Holmes) enters, breezing into the room in a silver bomber jacket and matching wraparound mirrored glasses. He looks her up and down lustfully before pulling out a card and inserting it into the reader. A hologram screen pops up and confirms that the tokens have been accepted. #30562 takes a deep breath, puts on a big smile, and guides John over to the bed. She bends over, and he buries his face in her perfect ass, before sliding his cock inside her tight hole. After he pulls out and cums on her ass, she asks if he would like to kiss and he eagerly agrees. The room flashes green and replies to confirm the extra gratuity. They make out for a few moments before John Doe happily puts his clothes back on and leaves the room.

#30562 goes back to the mirror and stares at herself for a moment, emotionless. She presses the tips of her fingers against the glass and the smart screen wakes up. It explains that her next guest is also a returning client: Richard Roe, 30 years old, space tourism guide, 5’10“ tall, 170 lbs, auburn hair, blue eyes. Kinks include rough sex, breath play, collaring, fisting, and golden showers. Note from management: client is limited to rough sex after last session resulted in damages. Accept client? ‚Accepted,‘ says #30562. As the smart screen processes the order and a confirmation appears, she stares at herself blankly and the door buzzes.

CUT to the door opening. Richard (Charles Dera) enters briskly. He backs #30562 in a corner and places his hand around her throat, his lips curling up in a sneer to reveal shiny gold teeth. ‚Remember me?‘ He growls. She smiles and advises him to scan his card. The man backs off slowly, places his card into the reader, and a hologram screen pops up to confirm his tokens have been accepted. #30562 takes a deep breath and walks over to him. He hoists her over his shoulder and goes to the bed. Throwing her onto the bed, he licks her tight pussy, getting it nice and wet before he fucks her hard. At a certain point, he is about to pee on her when the room flashes red and reminds him that this activity has been blocked. Frustrated, he shoves his dick back in #30562’s pussy and keeps fucking her till he pulls out and cums on her face. While the woman catches her breath and wipes the cum from her eyes, Richard gathers his things and leaves without a word.

When #30562 stands up, she finds herself very dizzy. The room beeps red and instructs her to return to her charging station. She crawls to a corner of the room and stands on a white platform to recharge. As soon as her feet plant on top of the station, she becomes still while her body powers up.

CUT to an hour later. #30562 is still charging, eyes closed, when the door buzzes. She opens her eyes and steps off the platform, walking to the mirror in the bathroom to accept the next client but discovers the screen is off. The room buzzes again. #30562 goes and opens the door anyway. A naked woman (Penny Pax) steps inside, clutching a holographic bag. #30562 has never seen another woman before and she is awestruck. ‚Please scan your card here…‘ she says to the woman. The woman looks at her for a long time and feels #30562’s face, trying to hold back tears, before reaching into her bag and pulling out a coin. ‚Is this accepted?‘ She begs. #30562 takes the coin into her hand and stares at it. She’s never seen anything like it before. She places it on the counter beside the card reader. ‚What would you like to do to me this evening?‘ She asks the woman. Biting her lip and trying to contain her nervous energy, the woman reaches back into her bag and pulls out a shiny silver dildo. ‚I want you to fuck me as hard as you can.‘ She says. #30562 takes the dildo and puts on a big smile, leading the woman to the bed. Unit #30562 may be programmed to please, but this latest client of The Love Hotel is not who she seems, and by the time she’s done with #30562, the sexbot’s world will never be the same.

Girlcore | S1 E5 | Strange Nurses, Scene #01

Tiffany Weston (Whitney Wright) is lying in bed recovering from a nose job. Nurse Wheeler (Casey Calvert), walks in and asks her if she’s ready to take off her bandages. Whitney nods in agreement as Casey takes great care to ease them off and not hurt her in the process. Casey tells her how beautiful she looks but when Tiffany looks in the mirror she gasps – ‚gag me with a spoon!‘ she laments, she thinks she looks awful! Nurse Wheeler assures her that she’s being ridiculous and that it’s just bruising, it’ll heal in no time – she looks great. Before she leaves the room, Nurse Wheeler reminds Tiffany that she should get some rest, so she can properly heal.

Nurse Wheeler comes to visit her throughout the day and it’s clear that there’s a bond between them, but their pleasant visits are interrupted by the arrival of a rigid, authoritative lady doctor Dr. Mills (Ryan Kelly) who comes and removes her bandages – she seems to have a strange fixation towards Tiffany. It leaves Tiffany shaken, but after she leaves, nurse and patient continue to shoot flirty glances to each other. As the girls are about to kiss, they get interrupted and Nurse Wheeler promises to come back later to check up on her.

Late into the evening, as Tiffany waits for her favorite nurse, she starts playing with her pussy. When the door opens behind her, she turns around to find a stranger standing by the doorway who introduces herself as Nurse Saunders (Sarah Vandella). Nurse Saunders is direct and cold. She tells Tiffany to disrobe so she can start her physical examination. Tiffany is taken aback by how direct she is and disrobes immediately. Nurse Saunders starts examining her and not being the shy type, grabs her breasts firmly. When she tells Tiffany that it’s time to examine her pussy, the teen feels uncomfortable but does what she’s told. Nurse Saunders starts examining her pussy stating that she needs to get a closer look. She leans in and starts eating her out.

Nurse Wheeler walks in the room and Tiffany is relieved to see a familiar face. She pleads with her saying that there must be some mistake here. Nurse Wheeler responds dryly that Nurse Saunders is just trying to do her job. Tiffany is so confused…What kind of hospital is this? Nurse Wheeler leans in and reminds her that this is what she wanted. She kisses Tiffany and the girls start making out as Nurse Wheeler continues to eat her pussy. When they finish each other off, Doctor Mills walks in the room sternly reminding the nurses that they have a lot more patients to attend to.

Daughter Slut-Shaming, Scene #01

Daughter Slut-Shaming, Scene #01

DAUGHTER SLUT-SHAMING
FATHER DISCIPLINES BRATTY STEP-DAUGHTER FOR HAVING SEX WITH STRANGERS

SCENE OPENS on a vestibule in the early hours of the morning, where 18-year-old teen Veronica (Emily Willis) is trying not to make any noise as she sneaks through the door. After a night of partying, evident by her slightly disheveled look and party clothes, the teen is being careful not to wake her dad. She holds her heels in her hands to make less noise, and starts tiptoeing into the hallway. She makes her way into the kitchen, where she grabs some headache pills for her already developing hangover. Rounding the corner, she’s shocked to see her stepfather Hugo (Steve Holmes), holding a cup of coffee. He has a stern look on his face and a rigid posture. Veronica is embarrassed to have gotten caught but tries to play things cool — ‚hi daddy,‘ she says sweetly, ‚uhh, how long have you been up?‘ He says long enough to see that she didn’t sleep in her bed last night. She tells him that she was studying at a friend’s house and slept over. Skeptical, he picks up the bottle of pills, saying that apparently math gives her a headache. Veronica sticks to her story, but Hugo isn’t having it, and slams the pill bottle onto the counter angrily as he demands to know what’s going on. Reluctantly, Veronica admits that she was out late at a party.

Uncomfortably, clearly not eager to say what she has to say next, she says that she needs a ride to the pharmacy. He asks what for. She winces. She confesses she needs to buy some morning-after pills — she got a little wild at the party today. Hugo takes a deep breath, trying to keep his cool. Who was the boy? Veronica is very nervous, and admits she doesn’t exactly know… some guy at the party, she didn’t get his name. Hugo looks furious, and starts yelling at her – she lost her virginity at a party to a complete stranger?! That’s incredibly irresponsible! Veronica begrudgingly corrects him, ‚well…. not exactly… I sort of… well, I didn’t lose my virginity tonight, that is.‘ Hugo looks at her stone-faced and incredulous. ‚How many times have you had sex?!‘ he asks. She turns her head and doesn’t answer. He grabs her by the wrist and insists she looks him in the eye. ‚How many guys have you slept with?!‘ he repeats. Humiliated and close to tears, she reluctantly meets her step-father’s glare. ‚I’ve sort of… lost count.‘ Something snaps inside Hugo. He takes a deep long angry breath through his nose, and then exhales. He grips Veronica’s throat and starts walking away, pulling her along with him. She resists being pulled — ‚what are you going to do to me, daddy?!‘ she cries out. Throwing her onto the living room couch, he leans in menacingly. ‚I’m going to treat my step-daughter like the slut she is.‘

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Standing above her, he looks her up and down for a moment. He tells her that she’s been acting like a brat so he’s going to treat her like one, and discipline her just like when she would act bratty when she was younger. He asks patronizingly if she remembers what that means. ‚You want to SPANK me?!‘ she says in alarm, shrinking from his angry glare. She’s 18 years old now, she pleads, he can’t do that anymore, she’s an adult. It’s weird. It’s GROSS. Hugo argues back, she certainly isn’t acting like an adult. She’s acting like a brat who needs to be taught a lesson. If she wants to live under his roof, she has to abide by his rules. She does want to keep living under his roof, right? Reluctantly, she says yes. She doesn’t want to be kicked out, right? Begrudgingly, she answers back no. Then she’s going to do what he says, right? Through gritted teeth and holding back tears, she says yes, she’ll do whatever he says.

He tells her to take off her pants, it’s time for her punishment. He instructs her to turn around. She does, and we watch from a male gaze POV as she takes off her pants slowly and reluctantly. She looks back at him with a betrayed look before also taking her panties off slowly. She stands there for a moment uncomfortably. Finally, he coldly instructs her to come bend over on daddy’s lap.Lying across her step-father’s lap, ass up in the air, Veronica winces and braces herself for the spanking. Hugo starts first by taunting her, rubbing his palm in circles across the circumference of her ass for several seconds, before starting off with a sharp smack. Veronica lets out a yelp from the pain. He rubs more circles with his palm before slapping the other cheek once as well. Incredulous at the size of her skimpy panties, he rips them off and proceeds to mercilessly spank his daughter while she begs for his forgiveness. He is cruel and taunting, insulting her while expressing his disappointment in her. He tells her that her mom would be appalled if she was still with them. He tells her that he didn’t raise his daughter to be a disgusting slut and demands to know how many men she’s fucked, spanking her ass hard for every man she’s been with.

As he spanks her furiously, Hugo spreads her ass cheeks and repositions her legs to get better views of her pussy and asshole on his lap. At this point she feels something hard pressing into her body, and squeals with disgust ‚Ew, are you hard right now, dad?!‘ She struggles on his lap and protests that it’s sick that he’s getting hard from spanking his own daughter. He hasn’t gotten laid since her mother died, and he could use a warm hole. Hugo tells his step-daughter that she’s going to be his warm hole now, whipping out his hard dick. Veronica is shocked — no fucking way! He’s taking it too far, it’s disgusting. Hugo points out that just earlier, she was asking him to treat her as an adult. What could be more adult than fucking? She starts to protest, but he reminds her that she should think twice about standing up to him if she still wants a home to come back to after her nights of partying. Hurt and reluctant, she asks what she has to do, and begrudgingly agrees to do it. Veronica’s about to find out that her stepfather is just getting started shaming his slut daughter.

The Watcher, Scene #01

The Watcher, Scene #01

THE WATCHER
CREEPY VOYEUR SPIES ON YOUNG COUPLE AND FOLLOWS THEM HOME

SCENE opens on an establishing shot of a broken-down shed. It is early morning. Cut to inside. A homeless man’s legs stick out from underneath a tarp as he lays huddled on the dirt floor, surrounded by garbage and old food containers. From a dirty POV, we watch him lift off the tarp and sit up to see the sunlight streaming through the cracks in the door. His face is hidden by his hooded sweatshirt, but he is a tall, intimidating figure. He rummages through his garbage before picking up an old tattered porno mag and, with a groan, opening its sticky pages.

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Several hours later. The man, still shrouded in his hoodie, leans up against a curb begging for money. People pass him by without any notice.

JUMP CUT to a close-up of the man’s dirty shoes as he staggers down the roadside, panning up to reveal him holding a tall can wrapped in a brown bag. He comes upon the entrance of a park. From a dirty POV, we watch him look around before deciding to venture inside.

JUMP CUT to the man walking through a secluded, woody area at the back of the park. He has come here to drink and look through more of his magazine. As he settles down by the parameter fence, he hears a woman laughing and pauses. From a dirty POV, we watch as he cautiously stands back up and creeps towards the sound of the woman. Through the clearing, A couple have laid out a blanket underneath some trees and are making out. Jenny, the woman, giggles and play fights with Paul, her boyfriend, who is trying to affectionately get her clothes off. The man watches and listens, as their small talk reveals the pair are a recent couple out on a date. They are both college students. Paul wants to have sex while Jenny is nervous. She doesn’t want to do it in public and get caught. He tells her to chill out, no one ever comes to the back of the park. ‚Besides, we are both over twenty-one,‘ he adds. ‚And it would only be a misdemeanor … so isn’t it worth the risk?!‘ She laughs and tells him he’s a terrible influence, as they keep kissing. The camera jumps between a wide shot of the couple, with the man shrouded in the background, and a dirty POV of him watching. Finally, caving to the pressure, Paul suggests they go back to his place to fuck instead … and Jenny eagerly agrees. They gather up their things and leave, while the man still watches.

JUMP CUT to a dirty POV of the man watching Paul and Jenny as they enter his house, leaving the door slightly ajar by mistake. Cautiously, the man creeps up and quietly steps through it after them. He can hear their voices on the other side of the house. Breathing heavily, he walks through the main floor and towards the bedroom. He peeks inside and watches as the couple make out in bed. Paul is removing Jenny’s top as they kiss passionately, and she undoes his belt. She begins to give him a hand job, as the camera cuts back and forth between inside the room with them and the man’s dirty POV. Paul begs Jenny to suck his dick, but she keeps laughing and pulling twigs out from his dirty shorts. ‚Let’s just take a quick shower first,‘ she teases. ‚And then you can do whatever the fuck you want to me!‘ Paul groans and nods, ushering Jenny off the bed and out of the room, as they strip off their clothes and narrowly miss the man who has darted around the corner. From a dirty POV, he hears the shower come on and then creeps into the bedroom, so he can find himself a better view. He decides to hide inside the closet.

A few moments later, the couple come back into the room naked and ready to have sex. The closet door stays in the frame as they begin to go at it, completely unaware that they are being watched.

Office Harrassment, Scene #01

Office Harrassment, Scene #01

OFFICE HARASSMENT
SECRETARY FACES REPEATED SEXUAL HARASSMENT FROM HER BOSS

SCENE OPENS on Mr. Kincaid (Derrick Pierce), a brutish-looking businessman, in his office with his beautiful secretary, Valerie (Brett Rossi), telling him about the day’s schedule. Midway through her briefing, she leans down to pick up a pen from the floor and place it back on her boss‘ desk before continuing. Unbeknownst to her, Kincaid sneakily throws the pen back onto the floor. When she walks back around, she notices the pen on the floor again and is agitated, taking a calming breath while gripping her notepad tightly. She bends down, the camera giving a male gaze POV of her sexy bottom, then berates her boss about dropping the pen AGAIN. He shrugs it off and she snaps, remarking that she’s tired of how he struts around the office like he owns the place! Plus he’s very rude, and she hates the way he treats her and makes her feel small and invalidated. It’s harassment and she’s not going to stand for it anymore.

She’s so worked up that she’s getting hot and sweaty, so she takes a breath to calm herself down from the outburst. Mr. Kincaid, who watches, unabashed, the whole time, responses by telling Valerie that he wants a cup of coffee and it’s not going to pour itself. Defeated, Valerie walks across the office to make a cup of coffee, although she’s clearly upset, her body tense and her hands fisted at her sides. She gazes over her shoulder to her boss, anxiety written all over her face.

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Later that day, in his office, Kincaid is finishing up a business call while Valerie brings him another cup of coffee. Once he’s done with the call, he gets her to relay what’s next on his calendar. As she starts telling him his schedule like a good secretary, he sips the coffee she just brought him and spits it out. ‚This is terrible!‘ he scolds her as she helplessly looks on at his childish behavior. The childishness turns into bullying as he asks her how long she’s been working there — a decade? — which is pretty generous for a secretary. He’s going to tell her how this whole thing works and that he’ll go slow so that she catches on. Valerie is crestfallen, quietly insisting that he can’t treat her like this. ‚Sweetheart,‘ he says with a smirk, ‚I can do whatever I want, and treat you however I want because I’M the boss.‘ She’s just a dumb blonde bimbo, and nothing more.

He starts stroking her cheek and she calls him out on the sexual harassment, although he instantly and calmly insists that it’s NOT sexual harassment. Even if it was, who was going to believe her, anyway, since she’s just a secretary? It’s her word against his. He stresses that he’s the one that writes the checks around there, so there’s nothing she can do about it. ‚In fact…‘ Kincaid trails, promptly spilling his cup of coffee on Valerie’s breasts.

Valerie tries to clean the coffee stain on her white shirt, distressed that he did that on purpose while he smugly insists that it was an accident and that he’s just such a klutz. He tells her that she had better take the shirt off and take care of the mess or it’ll stain. Valerie insists that she needs to go home to change, but he stops her in her tracks by saying, ‚OR you could stay and make your boss happy.‘ If she lets him have his way with her, he’ll promote her to a position that she really wants to be in. The choice is hers.

The camera is focused on Valerie’s face as she wipes her tears and struggles to make the decision. The turmoil is clear on her face, her lips tight, although the smallest hint of a grin slowly appears. Then she makes the call and removes her shirt, throwing it to the floor. ‚You know what? You’re so right. I’m so dumb! I should be helping YOU be happy…‘ she insists. Kincaid is stunned by the 180 as she strokes his shoulder, fawning over him with her breasts in full view. She lays it on thick, stroking his ego in every way that she can think of, which Kincaid readily gets off on. Valerie’s days of being bossed around because she has no choice are over as she takes the lead to show him what she’s really made of.

Cum On My Tattoo – Kissa Sins, Scene #01

Cum On My Tattoo – Kissa Sins, Scene #01

The star of her own reality show, Kissa Sins gets antsy while waiting for her man to show up and cum on her tattoo for the first time, besides, she really needs to get fucked! Noticing the hot sound guy Ramon Nomar, she wondered if she could just get HIS jizz all over her tattoo. Ramon was a little apprehensive at first, but no one can say no to that face, and that perfect ass! If Princess Kissa wants dick, she gets dick! And if Kissa wants more cum, she gets more cum! I always keep the talent happy, so of course I could lend my lady juices to squirt all over her tattoos after Ramon finished! Kissa’s World- it’s a good place to be.

Anne – Act Two: The Escape, Scene #01

Anne – Act Two: The Escape, Scene #01

ANNE – ACT TWO: THE ESCAPE

SCENE opens inside Mr. Hands‘ closet. Anne is seated, curled up in a ball, when she hears the knob slowly turn. The door opens, as Sally crawls in towards her friend, her bad leg dragging behind her. In a hushed tone, she tells Anne to stay quiet and they slowly crawl out together. Mr. Hands is passed out on his desk. As soon as the girls get out of the office, they quickly tip-toe through the common areas to the front door. Anne turns to thank her friend and Sally hands her Mr. Westfield’s address. ‚I copied it off the letter on Hands‘ desk while he was sleeping,‘ she says triumphantly. Anne hugs her friend. Sally smiles, reaching into her pocket and retrieving the necklace. ‚Thought you might need this too,‘ she adds. Anne kisses her, before running off the property and into the night.

A car pulls up outside a large estate and Anne steps out, thanking the driver for letting her hitch a ride. It drives off leaving her to take in Mr. Westfield’s mansion for the first time. It’s the biggest, most luxurious house she has ever seen! But, as Anne looks down at her shabby outfit and dirty hands, she has a moment of self-doubt and starts to walk away when a gardener notices her. He calls out, asking who she is and Anne mumbles that she is here to see Ms. Farling. She is the orphan. Another gardener comes around the corner and notices her. He gives the girl a long look before using his intercom to call someone. ‚Right this way,‘ he tells her, as both workers accompany the girl to the front steps.

A butler opens the door. He is very polished and handsome, dressed in a tuxedo. ‚She is the girl that Ms. Farling told us about,‘ one of the gardeners says. The butler dismisses them before turning his eyes to the girl. ‚You are the prettiest orphan I have ever seen!‘ He says. ‚What is your name and how old are you?‘ Anne replies, and the butler extends his hand, inviting her inside.

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The Foyer. As the butler starts to explain the layout, Ms. Farling rushes into the room. She is still in her dressing gown and seems surprised that Anne is here alone. ‚Sweetheart,‘ she says. ‚I wasn’t expecting you so soon. Is Hands still here? I have some papers for him to sign.‘ Not wanting to reveal what happened, Anne lies that he dropped her off at the gate but had to leave. Slightly agitated, as if expecting to have more time to prepare for the girl’s arrival, Ms. Farling accepts her story. ‚I see you’ve met Bruno, our butler,‘ she says, placing a warm hand on the butler’s chest. He bows slightly. ‚He will be at your service, morning, noon and night. But, let me show you the rest of the house. We have a lot to do today to get you prepared!‘

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In a long tracking shot, the trio walk into the kitchen, where a CHEF is busy whisking in a bowl. She stops and stares at the girl. ‚This is our personal chef, Mrs. Orchard,‘ Ms. Farling says before lowering her voice to a whisper. ‚She is a little eccentric, but her food is delicious, I promise!‘ Anne laughs. They move to the living area, where a beautiful maid is extending herself to dust the tall corners of the room. Her stature is accentuated by a somewhat revealing outfit. ‚This is Hilda, our housekeeper,‘ Ms. Farling says. The maid rushes over and gives Anne a warm hug, kissing her on each cheek. ‚You are so perfect,‘ she says softly. ‚daddy is sure to love you!‘ Anne looks up at Ms. Farling in confusion and the assistant grips her shoulders tightly. ‚That’s just what we call Mr. Westfield in this house,‘ she tells Anne. ‚He is such a role model that I like to think of him as a father figure. It is very important to treat him with respect.‘ They keep walking, with the maid joining the group. Ms. Farling and the staff knowingly exchange glances, as Anne walks ahead of them innocently. They pass a darkened wing of the house, where a GAURD is standing watch. ‚Who is that?‘ Anne whispers. Ms. Farling quickens her pace, explaining that this is daddy’s office. He is inside right now, having a very important meeting and cannot be disturbed. That’s why he has protection. Anne looks at the guard nervously. ‚Come quickly,‘ Ms. Farling says. ‚You are supposed to be a surprise for daddy … and I don’t want to ruin it.‘ They turn a corner and spot another well-dressed man. ‚This is Michael, our driver,‘ Ms. Farling continues. ‚He will take you wherever you wish to go. We have 12 different cars on the property.‘ Anne says hello shyly while the handsome driver kisses her hand and introduces himself. He joins them, and they move the tour upstairs.

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The second floor. As Ms. Farling explains the house’s various features and rules, Anne looks around at the staff following them. They are all smiling at her intently. It makes her a little uncomfortable, mostly because she has never had so much attention focused on herself. She sticks close to Ms. Farling and asks the assistant if she really thinks that Mr. Westfield can help her find her real parents. The assistant stops and curtly reminds the orphan that, in this house, he is not Mr. Westfield. He is daddy. She must not forget that. It is a very important rule. Anne apologies but Ms. Farling cuts her off. ‚There is no need to apologize, my darling. We are all here to help make sure you give off the best possible first impression tonight when you meet him,‘ she says. ‚I know he is going to be so surprised when he sees that I’ve brought him a beautiful girl!‘ Anne looks down at herself again and mutters about not feeling very beautiful. Ms. Farling assures her that it is their responsibility during her stay to ensure she is treated like a princess. Anne should enjoy all the spoils of being at home here — just as if she were daddy’s real daughter. ‚And then we can look for my parents?‘ Anne asks. Ms. Farling nods, adding that if anyone has the right connections to find them, it will be daddy. The staff eye each other and the girl lustfully.

‚What would you like us to do first, Anne?‘ the butler asks, putting his arms on Anne’s waist. ‚We will do anything you want!‘ adds the driver. Ms. Farling smiles as the maid grabs Anne’s shoulders from behind. ‚How about we get you cleaned up?‘ She says, whispering in her ear. Anne gulps before slowly nodding and telling them that a shower would be nice. ‚I think you’re really going to like it here!‘ The assistant says warmly, leaning in to kiss the young orphan on the cheek.

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The bathroom. Anne is naked in the shower, being washed by Ms. Farling and the maid who have taken off their clothes to join her. She seems very awkward at their touch but is trying to fit in — she wants to like it here. She needs to like it here. As they sensually scrub her body, Ms. Farling tells the orphan all about their boss. He is such a high-profile, busy man that he has never settled down or had a family of his own. When she began planning this charity event, she knew it was a perfect opportunity to change that. She wants to give daddy a feeling he’s never been able to enjoy, despite his success. Ms. Farling seems so proud of her plan that Anne doesn’t want to bring up her parents again. It might seem rude. But, that’s all that she can think about. The women continue to stress the point of making a good first impression to daddy, so much so that Anne becomes very visibly anxious about it. The maid asks the orphan if she is OK and, after some coaxing, Anne admits that she’s nervous to meet him. She’s never been given so much before and she doesn’t want to screw it up. Ms. Farling starts to steer the conversation towards how she and her staff deal with stress. They help each other relax, in every possible way. Taking a cue from the assistant, the maid chimes in to ask if Anne has ever enjoyed an orgasm. Anne confesses that she’s never had one — she won’t admit what happened with Mr. Hands, but she alludes to having had a past negative experience. The women are surprised and insist that they help her — especially if she wants to be relaxed for this evening. After a bit of coaxing, Anne agrees. She trusts the women. The maid and Ms. Farling work together to make Anne cum before leading the overwhelmed girl out of the shower where the butler and driver are waiting. They dry her off and then ask permission to make her orgasm too. Anne hesitates again but Ms. Farling reiterates the importance of what they are doing. They are only trying to help her prepare for tonight. ‚And you really think that daddy will be able to find my parents?‘ Ms. Farling says yes, and Anne ultimately agrees. She has come so far already, she can’t stop now. The staff take turns having sex and pleasuring her.

After they have finished, Ms. Farling dismisses the others, so she can help get Anne dressed. Excited at the prospect of giving daddy his surprise, the assistant proclaims she has the perfect outfit set aside!

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The dining room. Anne sits at a beautifully appointed table, wearing a stylish red dress and looking like the opposite of the orphan who arrived just hours earlier. The entire staff is also seated but the head of the table remains empty. After a long, awkward pause, daddy bursts into the room flagged by his guard. He is on his phone with his lawyer, clearly in a very bad mood, and pays no attention to the girl sitting beside him. The staff look at each other anxiously. Slamming his phone down, he demands to know what’s being served as the CHEF ladles some soup into his bowl. ‚Roasted carrot with crème fraiche,‘ she replies. daddy makes a face and starts eating, as he tells Ms. Farling to go over his itinerary for the rest of the week. His assistant pulls out her tablet and starts to break it down for him while Anne twitches in anticipation. At a certain point, daddy looks over and notices her. ‚Who the hell is this kid?‘ He asks his assistant gruffly. Ms. Farling reminds him about the upcoming charity event he’s hosting and how she was tasked to bring in an orphan to spend the week with him as part of the publicity campaign. daddy looks Anne up and down before replying that he thought she was going to get a child. ‚How old are you?‘ He asks. Anne replies meekly that she is eighteen. daddy grunts and tells Ms. Farling that a teenage girl is the last thing he needs in his house. Ms. Farling protests, advising him that it would be a nice idea to have him spend some quality time with a nice young woman, since he isn’t married and never had a daughter. He stares at her coldly without responding. ‚Besides …‘ she nervously adds. ‚It will look very good for your image, daddy. It will show the public a softer side to the Westfield empire and, hopefully, downplay some of the recent rumors…‘ daddy mulls this over before finally agreeing and asking for the next course.

While everyone eats their meal, Ms. Farling keeps encouraging Anne to talk about herself. She tells the businessman all about her life in the orphanage, the other girls she grew up with, and how happy she is to have been chosen to represent him as his daughter for the week. daddy remains cold despite all her efforts to charm him and the staff are so preoccupied with making sure the pair get along that is causes a lot of tension around the table. Finally, daddy excuses himself for bed and leaves abruptly, accompanied by his guard. Anne is crestfallen.

‚He hates me, I just know it!‘ She says pitifully. ‚Please don’t send me back Ms. Farling … I’ll do anything to stay!‘ Hugging her tightly as the rest of the staff solemnly clear the table, Ms. Farling tells her not to give up. She will make sure Anne is not sent back to the orphanage. But, she needs her to be a little more convincing. daddy has a hard shell, but he is soft on the inside. All he needs is to feel like he is in control of the situation. That’s how he runs his business. Anne asks what else she can do and, helping her to her feet, Ms. Farling suggests she go and say goodnight to the man – alone. If she can prove what a good girl she is, daddy will surely want her to stay and help her find her parents. As Ms. Farling accompanies Anne to the stairwell, she reminds her of how good the staff made her feel earlier. Anne nods nervously. ‚That is how daddy likes it too,‘ the assistant adds. ‚Remember that!‘ They walk to daddy’s door, where the guard is standing. Ms. Farling tells him that Anne is going in to say goodnight and he lets her pass. She glances back at Ms. Farling, who shoos her in with a final look of encouragement. When she disappears, the assistant turns back to the guard and tells him to take a break. She needs to monitor this herself. The guard flashes her a quick smile and speaks for the first time. ‚Bringing him a teenage orphan … that’s low even for you, Farling!‘ he jokes. ‚Yes,‘ Ms. Farling replies curtly ‚I know. But anything is better than the hookers at this point!‘ The guard walks off, leaving the assistant alone at the door.

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daddy’s bedroom. The man is under the covers, in his pajamas, and on his phone when Anne enters timidly. ‚What are you doing in here?‘ He demands, shocked to see her. ‚Nobody comes in my room without my permission!‘ Anne, putting on a brave face, marches over to the bed and tells him that she wants to say goodnight. They may have got off to the wrong foot downstairs, but she wants him to know that she is the best possible orphan for his charity event. daddy is not amused. He asks if his assistant put her up to this. ‚That woman is always meddling in my private affairs,‘ he grumbles. Anne bites her lip and sits down on the bed boldly. ‚Now listen daddy,‘ she says. ‚You are rich, powerful, and very intimidating. When I walked into your house today, I knew I had walked in to somewhere special. And I’m going to be the greatest daughter you’ve ever dreamed of — even if it is only for pretend!‘ daddy cuts Anne off and gets right into her face. ‚I don’t need a daughter,‘ he replies. ‚I just need a photo op!‘ Anne shrinks back. She mumbles something about being a good girl. daddy laughs. ‚When I want a girl, I hire one. I don’t want to be your fucking parent!‘ He barks, turning back to his phone. ‚Now get out of here before I call security.‘

Anne slowly gets off the bed and starts towards the door, crying. She knows that daddy is the key to her future, to finding her real parents. If she leaves now, she leaves with nothing. Like Ms. Farling said, she just needs to convince him. Something inside her snaps and Anne spins around. ‚You’re wrong!‘ she screams, storming back to his bedside. ‚You do need someone to love. Not someone you have to pay for; someone who will worship you and respect you!‘ She breaks down before him, twitching in her red dress. ‚I have spent eighteen years searching for my parents. They abandoned me. But you won’t!‘ daddy doesn’t know what to do. He tells the frazzled girl to away from him. She’s a god-damn kid, what will the press think? Anne starts to cry in a panic. ‚They will think I am going to be your new daughter. I promise to be a good girl for you. I promise you will come to love me … if you just give it a chance. I will do anything you ask, daddy! BUT I’M NOT LEAVING THIS ROOM!‘ She starts to climb on the bed towards him as he shrinks back, yelling for Ms. Farling. ‚She only wants what’s best for you too,‘ Anne continues pleading. ‚Just give me a try, daddy… I need your help!‘ daddy gets very angry and leaps out of bed to physically escort Anne out. She kicks and screams as he struggles to carry her to the door. In desperation, she starts to kiss and grab at him too. They struggle before he throws her back on the bed. ‚Are you making a pass at me, little girl?‘ He growls, towering over her. ‚Because I will tear you up!‘ Not knowing what to do, the tear-streaked orphan tells him yes, if that’s what he wants. He can do whatever he wants to her if he will just let her stay and help her afterwards. Her constant advances awaken something inside of daddy and the icy, distant man rips her dress off. Staring down at the naked girl, he reveals himself and tells her to suck it. It’s been days since he could hire a girl anyway.

The harder he pounds; the more Anne calls him daddy and begs for him to accept her. She slowly breaks the man down. His hate fucking slowly turns into passionate sex, with the pair kissing and acting lovingly by the time daddy cums inside of her. Their sex is INTERCUT with shots of Ms. Farling watching and masturbating from outside the door.

After they have finished, Anne kisses daddy and they share a tender moment. Ms. Farling enters and, giving her boss a knowing look, informs Anne that it is time for bed. ‚You see, I always have your best interests at heart, don’t I daddy?‘ She says and leads the naked orphan out of the room, holding her hand. The man falls back on his bed and a smile crosses his face.

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Anne’s new bedroom. Ms. Farling tucks Anne in and kisses her on the forehead, telling her how proud she is of everything the young orphan did to prove herself. She knew Anne was special! Once alone, Anne says a short prayer to her parents. She tells them that she is doing everything she can so that one day they will be reunited. Hopefully. She falls asleep happily, holding on to her broken heart.